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Saturday, November 7, 2009

Jibblies Winners 2009

The results are in, and here are the winners of the 2009 horror-themed Jibblies contest:

First Place
Poetry       "Autumn Love” by Emily Becker
Fiction       "No Dominion” by Rebecca Wood

Second Place
Poetry        “Running Forever from the Flesh Eater” by Aaron Moseley
Fiction        “Denizens of Virgin Wood” by Michael Rudolph

Third Place
Poetry        “Death” by Winonah Harrington
Fiction        “Who Me?” by Greg Ashe

Honorable Mention
Poetry    “We Belong Together” by Emily Becker

Thanks to all who submitted work. Keep an eye out for our next contest! First place winners of Jibblies in both categories will receive a $25 prize. Second place winners will receive the most recent issue of the Westwind Review, and third place winners will receive... glowsticks!

If the large margin on the right of the screen bothers you, simply shrink your browser window to make reading the posts easier. You can also look on the right to find either fiction or poetry, or you can look under "Blog Archives" to read a specific post.

Important note: We at Cognito feel that it is important not to censor authors' work as long as words and themes involved add to, rather than diminish, the quality of the work.

Autumn Love - First Place Poetry

by Emily Becker

They say you're not good for me—
your long dark hair,
your soft hand in mine,
we go out trick or treating,
dash across the street without a care,
not knowing what is on the line,
the wind blowing, the music blaring,
the leaves crunching, the smoke curling,
backyards, backseats, sidewalks and stairs,
parking lots, and lots of thrills,
I pulled off your mask—
you weren't who I thought you would be.

No Dominion - First Place Fiction

    by  Rebecca Wood   


        Because I could not stop for Death—
        He kindly stopped for me—

Starbuck’s Ashland, 9:45 a.m.

     I didn’t see her face.  She was in line, fidgeting a bit—unzipping her green leather purse which hung suspended from her elbow by two short straps, and zipping it again.  I could see a curved cheek, pale and a little yellow in tone as though someone were holding a buttercup, always, to shine weirdly golden in her skin.  A pert, round chin like a stubborn Persian cat, a few curls of a medium brown color; all of these things spilled out of the bottom of a turquoise crocheted hat, like luscious, untouched fruit from a net cornucopia. 
    Her hands, I noticed, were long and slender, the fingers bony.  Someone looking with a critical eye would call the hands strange—longer than the measure of her narrow palm, the fingers seemed to move almost independently, each one sensing, seeking. From where I sat, I could see some blue veins on her hands, along the long bones extending down each finger and into the wrist.  I decided then that she probably hated those veins.  I felt the corners of my lips pull in a smile. What an unfamiliar feeling! So long had it been, I had to stifle the laugh that bubbled in my chest.
    From where I sat, I could watch—hungrily and minutely. She lifted the arm that held the bag, and scratched her opposite wrist, toying with the shirt cuff that extended below her navy pea coat.  As the bag shifted, I saw it—just the spine of a book, but clear from where I sat: Orlando.
    A rage, that familiar rage, unexpected this time, flew through me so wildly that my scalp tingled and I sat, panting, waiting for it to subside.  A heat on my hand told me I had crushed my cup—a glance down, and the pool of coffee sliding quickly toward the edge of the table and my blue-jeaned lap (one must keep up with the times, you know, I tell myself when I don those ridiculous garments) made the anger subside as quickly as it had come.  I stood up and walked the small distance to get a handful of rough brown napkins.
    Before going back to my seat, I studied her from another angle. She had good legs, from what I could see: brown knit stockings, a bit too thick for my taste, but it was icy cold out there this morning, and so she showed good sense, I allowed.  Scuffed brown boots, rising to a bit above her rounded calves, and a tweedy brown and blue skirt hanging in full folds completed her choice of clothing. I nodded. Modest, and yet stylish; clearly not affluent, she had the good taste to purchase serviceable clothing that still avoided “dowdy.”  She was the correct choice for this morning.  I have never been wrong in my first impulse, that slight pulling I feel toward a person, that glow of intuition...but I do like to watch for a moment to make sure.
    She moved forward to the cash register, and I inhaled as the air stirred around her.  Peach, I thought.  A ripe summer peach that has been forgotten, lying and becoming bruised as the first frost hits.
I was nearly too late. It’s a good thing I have developed a taste for this new thing: “Pumpkin Spice Latte.”  There are many things I loathe about these modern times, but a few things I think are vast improvements. Pumpkin Spice Lattes are definitely one of the improvements.
    She turned around to wait at the other side of the counter, where they had set up a small, semicircular wooden countertop simply for the purpose of coffee cups being pushed from one person’s hand to the other person’s hand.  It always fascinated me, this little wooden counter.  Without communicating, people knew.  They’d stand on their designated side and wait, and the person on the other side would eventually push their coffee across. No words necessary, and the change completed—the change from one state to another, newly-made to consumed, coffee maker to coffee drinker.
    So it is with my job.  “Job” isn’t really the right word—I AM my job. It is me, and has been since I have existed.  No words are necessary; when it is time for me to take people, they usually understand.  Some protest, some greet me with a tired welcome; some even seek me early, before their proper time:  those, I can tell you, I have quite a long talk with.
    This one, though—this one would be tricky.  “All the most difficult ones crop up around Halloween,” I thought, then realized I must have spoken aloud, as her head whipped around, and two green eyes, too bright for comfort, pinned me where I stood.
    She studied me, almost as closely as I had examined her just a few minutes earlier.  I did not like the look in her eyes—I found myself reaching for the middle button of my black coat, plucking at it, and starting to slide it out of the buttonhole. I forced myself to still my hand.  How could this girl, this...overripe fruit, this flower out of place, meant to be plucked at the end of Summer, but here it was, nearly Winter—how could she look at me so?  I purposely relaxed my neck, and felt myself grow taller.  I remembered who I was.
    I saw something shift, then, in those green eyes.  There was a slight flinch, and she looked away quickly; now she was the shabby little student in the brave, bright hat—what a stupid flower there was, too, a crocheted flower on the side of that hat! I hadn’t noticed. It curled and drooped, something an old lady would fix to the top of a baby’s shoe. It hung over one of her ears, making her look like an escapee from the 1920s. 
She clutched her purse while I stared, distracted by that flower I hadn’t seen, and then she looked back,
she looked back
and I was clutching my coat then in one hand, bending my  knees, bracing myself as though against a wind.
Orlando.
I have only known a few who have defied me: usually they are writers, artists, or, long long ago, they were warriors—though they don’t make those any more.
    There was a Queen once, and her lover and her King, all best friends. They walk still under the stars, because I had lost my chance with them. I have to take them, you see, before their spirits, their hearts, their minds have discovered my secret.
Achilles nearly did, and he lives still, in a half-life when people deign to read his story...but he is fading.  Soon, oh very soon, I will be able to take Achilles at last.
    But this one!—Orlando. Always I encounter her or him, and always...always I walk away empty, my job undone.
    She smiled at me then, a slow smile, which brought a very annoying dimple out on her soft gold and pink cheek.
    “Happy Halloween, Mr. Death,”  she said,  and then the bell of the door tinkled, and I watched that bright, brave, shabby turquoise hat with the flower—it seemed an altogether lovely flower now—bob away jauntily down the street. I moved to the door. I watched it past the movie theater, on its way to Bloomsbury Books.
    I heard a dripping sound behind me.  My pumpkin latte gleamed in a brown pool on the table, and in spots on the floor. It reminded me of another who had defied me: he painted mostly in a shade of red—with that shade he made his name, and forever saved himself from my grasp.
    “People won’t read you forever, Orlando, and then I’ll have you for my own,” I thought, attempting to retain my dignity as I mopped up the floor under the stern gaze of the Starbuck’s Girl.

Running Forever from the Flesh Eater - Second Place Poetry

by Aaron Moseley

I.
breath in, out, in, out, in,
out, in, stop. He’ll hear me.
grasp the tree and be still.

God, where is he?
can you tell me, God?
I hear breathing…fuck!
breathing, breathing, breathing
keep running. Just keep running.
the flesh eater’s behind me, people!…
can’t you see him? Hide me!
fine, fuck you…shit…
he goes through them…
quick…in here…he didn’t
see me did he? what’s that breathing?
fuck…just rest…I haven’t adequately
slept for days…why has he chased
me since age 11? who is listening to me?
will you chase me forever you beast?
what tapped me! shit…just a bug…
shit…breath…shit…breath…flesh…
breath…horny…breath…fuck

II.
Maxwell Widenboots walks home;
His two story Victorian house
Rests on a quiet street in Wisconsin.
A cross rests on his door—outside.

thank you holy cross for being
my protector from the flesh eater.
keep him away from me forever, please.
take away his ability to hand me the apple
these women and their apples;
he hands the women the apples to tempt us.

He places his groceries on his kitchen counter.

home. he didn’t get my groceries.
I can’t wait…I can’t wait…yes.

He enters his basement.
Concrete is visible in places where
The sound proof foam cannot reach.

“please let me go…please…please…please.”
“Shut up whore.” women. “You like it.
I know you like being here. You just don’t know it.”
ungrateful women. they don’t know what they want.
“Please…I’m tired. I need to be with my family—my kids.”
kids…kids…all they seem to care for—women.
“Your kids have a father…the man you hate.
I know you hate him…you want me..you look at me.
why would you look at me if you did not want me?”
“I don’t need to be here…please let me go. Please”
“Shut the fuck up! I give you food…a robe… a small bed.”
“This robe does not cover my legs…it’s lacy. I’m cold”
“I’m cold…I’m cold…whine…whine…whine”
why must women whine…they always whine.
stop the whining…shut up…please shut up. no.
she won’t shut up…get to business Max and go.

Her hands are cuffed together;
Her feet are bound to the wall with rope.

“remember …if you scream…no one will hear you.
scream though…I insist.” I love screaming…scream
scream and accept all that I have inside of me.

III.
finished. always scared when I’m finished.
“here…pee onto this. I bought it while out.”
“Can I go after I’ve taken this? Please”
“No…so shut the fuck up and take it. I
cannot know if anything went wrong last week
unless you do this test. Hurry up woman.”
“It’s cold in here…can I do it in the bathroom?”
“no…right here and now.”
“Can you turn around please?”
“No. do it.”
privacy…huh. what a concept. fuck privacy.
I hate privacy…I want to kill privacy…rip it apart.
“Good. Now hand that over here. I’ll let it sit
upstairs for ten minutes.

IV.
“You bitch! You cunt! How could you?
You did this on purpose I know you did!
You want to ruin me…ruin what I have… ruin
this scene that brings me hope…eases my fear.
Your body has become an abomination. An abomination!
You were my freedom from the monster…now
a monster grows inside of you. Fuck!”
fuck…fuck…fuck! why me? why?
I don’t deserve it. I don’t deserve her shit.

He runs up the stairs. He enters the kitchen.

shit…shit…shit…I’m not tolerating.
I’m not tolerating it. no…never. what to do.
marry her? can we? no. she’ll never do it.
Go to a doctor? no. authorities would be called.
WHAT THE FUCK

A knife rests on the kitchen counter.

V.
He soaks in water in his tub.
Bubbles float on top of the liquid.
Mr. Bubbles sits on the tub next to him.

mom…help me…tell me what to do?
if you were here you would…no…you wouldn’t
you couldn’t see me like this.

Cancer killed his mother;
His father died from Parkinson’s Disease.

I don’t know…I just don’t.
She angers me so much. why pregnant?
she must be laughing down there…yeah
that’s it..she did this to get a reaction
and now she is laughing. the bitch!
I should have known…it's so simple.
she toys with me all of the time. look
at the way she whines…she knows I hate it
and yet she does it all the fucking time.

VI.
A chill flows past Miriam’s face.
Her robe does not cover her forearms.

where is he? where? where?
God…please…deliver me an angel.
take me away from here God…please.

She cries.

what’s that noise? just listen. just listen.
a mouse? I think it’s a mouse. just a mouse…
just a mouse…. just a mouse…please Lord,
just a mouse

VII.
Maxwell walks through the kitchen.
He descends into the basement.

“Miriam! You Bitch!”
she goes and goes and goes…
with the moaning and groaning…
it never stops. “listen…you
have to stay still for this to work.”
“What?”
“Shut up! I’ve had it. I’ve had enough of your
shit and this is your last abuse for me.
I cannot let this fetus live.”

The knife emerges.

VIII.
“Move…move! Damn you!
Stop fucking around with me! I know
You can really breathe. You fuck with me all the time
So stop playing wolf. Wake up! Wake up! Now!”
she’s not moving…she’s really not breathing…what
the fuck…what the hell has she done. I can’t…I won’t
let the flesh eater in…if she’s not here to take my manhood
then the beast will get in. no…no…what’s that knocking at the door.
what the hell? how did he find me? he can’t get in…
no…go away..please go away…just leave…just leave me alone.

He weeps.

no…you won’t get in…I know you won’t.
I still have her body…you won’t get in you stupid fuck…
you have not eaten me…you never will. this lovely woman
will continue to give me her apple…I will partake so long
as she is here to offer…and you will never…ever…get
into my home. Miriam…how tender a form…how lustrous
even in death. Ah… Miriam… take me inside.

Denizens of Virgin Wood - Second Place Fiction

by Michael Rudolph

     I remember the first leafy bushes that sprang out among the boulders. And ahead, worth a laugh of excitement, living trees, weathered though they were, crowned the escarpment before us. The dense needles were short and flat and each wooden petal of the cones was tipped with a thorn. We knew no name for them.
In the days that followed the terrain grew more rugged, and descent of the far side of the ridges we crossed proved a painstaking navigation of sharp volcanic rubble and the sun-bleached remains of long-dead trees interspersed with the living. We were gaining altitude all in all; the trees came a little closer and thus, we left the Great Basin, bane of thirsty travelers.
    In my memory the morning of November fifth is a hard hike uphill with the horses breathing hard. Spindles of sunlight stabbed through the sequoias at our backs and warmed the fresh autumn air as the sylvan life began to stir. The branches would shudder now and then with the departure of some enthused jay or swallow that would then flit across our path to some other perch. It had been beautiful. Near the top I caught a glimpse of movement on my flank, and a second glance revealed a black-horned ram, already disappearing back the way we had come.
    “You know that feeling, when you are alone?" Livingston asked.
     "When you hear the twig break but nothing is there when you look," I said.
    "Yes, yes! If you seen them it's only by their decision. So many tiptoe away within a yard or two of you and you’d never know that they were there.”
    I laughed a bit and, patting the muzzle of my horse, I said, “I can feel them now.”
    At the top Livingston got to searching for a clearing. It didn’t take him long to find and scramble up some monolith peeking from the dirt and dust of the forest floor. To the west it hung over a sheer drop to the downward slope on the other side, the treetops of which were below our feet when we stood there to look out over the land.
    Under the bluest of skies those woods rolled on from ravine up to the crests of ridge after ridge and down again and above it all climbed a white-capped peak, crowned with wisps of steam. Further and dimmer to the north and south stood its sister peaks, hardly real but beautiful all the same.
    “Do you think they have a name?” And his head came up with squinting eyes. He took a long look up the panorama of our view.
    “Not unless they’ve seen it from the sea,” he said, smiling. After a quick meal we mounted and made our way north down the tapering length of the ridge onto a wide grassy flat. On all its nearest sides it was surrounded by trees and I could just make out the path of a winding stream that emerged from them and crossed it, heading east towards the Great Basin to offer what enrichment it could.
    “Serene, isn't it?” Livingston said, but some weight held my tongue. My eyes were drawn into the woody thickets from which the stream emerged. I felt the presence of some peril for which I had no knowledge, a dread that not even the trickling of this winsome water could eclipse. Like a lullaby from the lips of a monster it enhanced it.
    As we rode along its fringes the shadows of the wood began to creep from between the trunks of trees and under the brambles and fallen leaves. The very waning penetration of my gaze into its depths drew my eyes. The shadow overtook us. The eastern sky paled and on my skin I felt the touch of cooler air. A long finger of cloud reached across the zenith of the sky above us. So far our November had been a warm one, but I could feel the approach of winter.   
    “We should make camp, Ben."
    "Not here. The woods call out to me after so many days of treading desert."
    “The sun dipped behind the hill some half hour ago,” I protested. "We'll be making camp in the dark."
    And in response he began watching for a clearing through which his horse could pass. "It's just that I can feel our journey ending, and it spurs me on. We have time." 
    The day was dying, but I knew that the days would grow shorter still. My anxiety had been replaced by a vague curiosity and fatefully, we plunged between the trees a final time.

    A fear again took hold, for the wood by twilight is wholly different. Sadly compliant, our horses plodded up the long slope. I could feel the lungs of my beast as they swelled and released, hear the mellow breathing of ours both. I was trying my best, in the absence of light, to savor the fresh smell of the air, when the sudden flurry of a little bird before us startled me out of some distant tangent of thought and its frenzied silhouette vanished once more.
    We meandered upwards, sometimes turning parallel to the ridge where its grade hindered us, switch-backing our way as the blackness bore in on us from the thickets and brush. Now and then I could see, like a vista between the trees, the teasing lightness of the high western sky at the peak of the ridge.
    It was some time before the ground began to level off, but with the lifting of one curse came another. The soft forest floor had turned to a loose layer of treacherous rocks that were terrible to the horse’s hooves and soon the earth inclined again, this time with hoof-holds that would shift beneath us and go tumbling through the underbrush; down the hillside before us.
    The susurruses of invisible, slinking creatures surrounded us and unseen twigs cracked in the darkness. Now, I should say that such is to be expected of the dusk of any wilderness, but I resented it all in that wary state. Livingston also felt uneasy. Such fear, one might say, is the product of human imagination, and futilely I had tried to convince myself of such a fact. Still, each little sylvan disturbance sent a tremor of fear resounding through my chest. Then, to our trepidation the horses came on edge as well. I could feel the suspicion in every step that mine took. I could dimly see its large round eyes, darting to and fro, so anxiously as to forewarn me of the approach of some abysmal and loathsome thing. The hair stands up on the back of my neck even as I recall. My hands were shaking on the reigns, and to my right, Livingston, in an attempt to whisper to me, was murmuring almost inaudibly.
    Then, at once, a hush descended upon the wood. The creepings ceased and both horses froze in their tracks. A surge of hot terror flew through me; suddenly it seemed as though the very air was clenching at my shoulders. I could see nothing and I dared not seek a glimpse of whatever nightmare beheld us. Livingston threw his head around, his arms tight, yanking the reigns, but his animal had turned to stone. Its hoof-hold gave way and the sharp little rocks went tumbling down the bank. For a moment, then two, its leg bobbed there above the slide, and with a cry so spine-chillingly shrill as to send my own steed stabbing, with rigid strides, through the forest, it reared and kicked and flung itself over the edge. In an instant, dreamlike, I was roaring back with my only consciousness the cadence of pounding hooves. It seemed I scanned the trees but the shadows betwixt defeated my eyes.
    Eyes!
    Eyes!
    What horror my eyes beheld as I leapt from my steed, sliding with a torrent of stones after my friend down that abominable hillside. Still as I pursued, the horse was thrashing down with a heap of dust and stones for the darkest depths of those woods. And only when the corpse came to rest did I distinguish Livingston among it all: broken and still as the night. But alone, he did not rest with the desolation of his animal.
    His face was in the rocks. His clothes were in tatters about him. I had my hands on my head, too spineless to act- to touch him! Tears streamed down my face and at last I took him in my arms, but when I turned him I heard not his waning breath, or last words. Far above us I perceived of my horses neigh, and then of frantic hooves and then a cry, a whimper and then silence.
    “Ben, don’t you move,” but he could hardly wince. From above a little stone came bounding past, as if to taunt me in my plight, as if to appeal to all the fear and the curiosity within me but night had fallen and there were only shadows from hence it came.
    Livingston groaned and I looked down his body, to the little twist above his knee where, soaked in blood, the shattered bone protruded from his flesh. With no choice but to disregard his pain I wrapped it with my outer layers as best and as tight I could and lifted him.
    “Where is there to go?” I had thought, “To flee from darkness into darkness?” I climbed down past where streaks of blood marred the stones and past the fallen horse into the trees without the slightest idea of where I might have gone. That night I carried him as far as I could with the adrenaline in my veins. Red-faced and breathing hard, so that if I had stopped to rest exhaustion would have staid me, I penetrated the wood. Deeper and deeper with every stride down the little glen, swimming through scratching thickets of undergrowth. Hours it seemed before I began to slow, but fatigue had overtaken me. I laid Livingston down in the brush and laid my face in the dirt. My lungs heaved, my limbs seem to recede and all that I could feel were the gushes of air through my mouth and the damp earth on my cheek. Then the forest left me and I sank into the world of dreams.
    I stood then atop a drift of snow on that very spot, so deep that the forest was gone and only its highest branches protruded from the plane of white. I took a crunching step in that world so deathly still, and saw the swirling billows of the sky just above my head. I realized that I was utterly alone. Some noise pattered quietly behind my thoughts.
    When I remembered Livingston I found that I was watching myself as I frantically dug through the snow, and the pattering grew louder. The little figure looked alone on that vast scape of white as he sobbed. Snowflakes began to fall towards him, towards the Earth with the stamps of sound playing through my thoughts. It began to overtake them, a blackness replaced the snow and then I felt the cold spots of rain falling on my neck. The rain pattered in the darkness of the forest and Livingston breathed shallowly beside me.
    Through that night I struggled on with Livingston as he slipped in and out of awareness. All my energy went to pushing myself, but when I thought it was always of him. His leg disgusted me, but the prospect of some unseen, and far more perilous, injury within his head or back pained me more. I was terrified for my friend.
    “Find me,” he would say, as though locked within the spell of fever. “Find me! I want to be found.”
    When rain began to patter down through the foliage of the trees and onto us he opened his eyes and spoke reasonably, without recollection of his other words.
    “How will I survive, I do not think the odds are in my favor,” he moaned.
    “But what are odds?” I asked. “The only odds are that I will carry you to the Mississippi River if I have to. This is not the end.” And I sensed the contortion of his face as a long wince passed through it. By the end he breathed hard and his eyes were bloodshot.
    “My leg feels like it is being crushed,” he said, but I couldn’t see him in my arms. The darkness blinded me and the rain rolled down my face.
     I labored on through the darkness, guided only by the chattering rain. There it beat the muddy earth, there it streamed from the leaves of the undergrowth, here it dripped down the rugged bark of a pine.
    At some indefinable point during that night, my memory having been twisted and blurred by fear, the blackness began to sharpen into blue-gray shapes. Once I thought I could see a faint bit of light in the distance but soon it was missing, veiled by a catacomb of trees. My imagination may have been deceiving me, except that when the pale light reappeared its hue had warmed, at times appearing red and at others orange. On the night’s breeze came the sound of wooden chimes in the rain.
    I made for it with all my endurance, with everything I had. In fact there was some light filtering through the forest, and through the rain, what I could not yet tell, but something was out there. I remember passing the last of the gargantuan trees and, with Livingston over my shoulder, reaching out and letting my hand feel the roughness of its skin. Through the twisting poles of smaller plants and the silhouetted spindle-shapes of leaves points of light would emerge, starred apart by the water in my eyes. I waded through the shriveling underbrush, pushed aside the last woody branches and stepped through the ferns and found around me a village of low earthen mounds, so foreign that at first I took the sight for a trick of my light-starved eyes, smoke holes cast with the flickering glow of fires within.
    Near that spot I collapsed and remembered nothing more until morning revealed us to our unwitting hosts.


Death - Third Place Poetry

by Winonah Harrington

Lying in the desert
Parched
Lips like dried mud sit still.
Body raped and mutilated
Arms ripped off scattered in the four directions
Eyes bulging
Rotting corpse in the blaring sun
Long braids blowing like tumbleweeds
Deserted in a desolate land
Flies crawling through nostrils into the body
Stomach torn open
Entrails being consumed by maggots
The vultures eyeing their meal greedily
Fighting ensues
Dusk comes and in the dark only bones remain
waiting to be bleached in the scorching sun
of tomorrow’s dance.

Who Me? - Third Place Fiction

by Greg Ashe

     “Look, man, it’s great to see you. Riding around in your van is just like old times, but if you’re going to get all moody on me why don’t you just drop me off and go on home.”
     “Oh, were you talking to me? I’m sorry, Greg; I thought you were narrating again. We need some kind of signal so I’ll know it’s me you’re talking to and not the reader. What did you say?”
     “I was telling you about when I used to play golf. If I were narrating, I would have used a bunch of internal description to paint the scene.  You know, like: Greg remembered how good he felt to be the first person at the driving range. His untarnished brain cells didn’t need some foreign chemical to supply his energy, and he stood just as nature wanted him: full of potential and full of hope; as far as he knew, the morning sun rose just for him.”
     “Okay, I get it. But just tell me when you want me to listen. I don’t want to have to sort out everything you say. And why do you narrate at all; it’s only you and me here, why don’t you just talk to me?”
     “I’m sorry, Michael, it’s a bad habit of mine. I spent so many years alone I never learned to talk to people. I kept everything in my head and needed a bunch of speed just to say hello. If you catch me doing it, just poke me in the arm or something.”
     “Yeah, right. So, why’d you think about golf? Was it seeing the golf course in Griffith Park? It’s a bitchin’ day, we should have stopped.”
     “Michael, you’re time tripping again; that was back in 1972 when we were in Griffith Park. Don’t you remember; we had all that morphine and I got so paranoid?  This is 2009, brother. We just drove past the back-lot for Universal studios. That’s where I played when I was twelve; it used to be a driving range.”
     “That was a driving range? I parked there when I worked at Universal. I’ll be damned.”
     “Well, it was a while ago. I rode my bicycle there every Saturday morning for a lesson. I only had one club—a five iron—and I hit balls for hours.”
     “Did you meet any movie stars? Did a lot of them play there?”
     “One day I saw Joe DiMaggio practicing with his sand wedge. He was married to Marilyn Monroe and that’s all I could think about. I asked him if it really was him, and he smiled and said that it was. Then, with the impetuousness of youth, and with the thrill of discovery, the young man bolstered up his nerve…”
     “Greg! You’re narrating again. Talk to me brother.”
     “Sorry, man. I asked Joe if I could have his autograph and he said that I could. I was in the sixth grade and had an autograph book at home so I raced back there and got it. It was a four-mile ride, round trip, and I went full out the whole way. Man, I couldn’t do that today. Anyway, when I got back to the driving range he was still in a sand trap hitting balls. I handed him my book and he signed it.”
     “What did you say to him? Was he a nice guy?”
     “After I asked for his autograph I couldn’t think of anything else to say, so I said, ‘you are really lucky.’ He thought I meant because he played for the Yankees, so he said, ‘you can make it too, son. Just practice every day and don’t give up.’ That confused me because I meant he was lucky to be sleeping with Marilyn every night; not baseball!”
     “Do you still have the autograph? It’s probably worth a lot by now.”
     “Naw, I traded it to Doug McLaughlin for some acid. I’m sorry I did it now. It would be worth a lot. It would be worth a lot to me just to have it. Man, I do some stupid stuff. But never mind that. Why don’t you try narrating? You might like it.”
     “How do I do it? Do I just start talking all funny—like you’re not here?”
     “Don’t be a smart ass; just remember a thing that stands out as being important to you. Or, funny—remember something and talk about it as if you wanted to write it down. Don’t do like I do, though: I don’t give the reader credit for knowing what I’m talking about so I go on and on. Keep it brief and think your audience is really smart.”
     “Okay, how about when that truck full of cantaloupes turned over on the 101 and we thought a plane had crashed. That was pretty funny.”
     “Yeah, that’s good. Talk about that.”
     “All right, here goes: ‘one dark evening in December, having just smoked some of that new weed from Hawaii, my friend and I became really stoned. The freeway stopped looking like a place for cars and took on the aspect of a jungle landing strip. Although my VW bus could go faster, I thought it prudent to do no more than 35 mph. I felt the need for caution as we approached the Van Nuys exit, so I slowed even further and it’s a good thing I did because it looked like a plane had crashed right in front of me. We were the first ones on the scene, and if we could have gotten out of the van, we might have been able to help. But, alas, we were too stoned to move, and all we could do was watch as what appeared to be blood, but was actually cantaloupe juice, ran down the gutters. Eventually, the police came but paid no attention to my van except to motion for me to drive up on the curb to get around the old farm truck lying on its side. My passenger, Greg, wanted to jump out and run, but he couldn’t get out of the van either. The End.’”
     “Yes! That’s what I’m talking about. Pretty cool, huh? And you respected the reader by not adding all kinds of extraneous bullshit like I do. Maybe you shouldn’t have explained about it being juice instead of blood… but overall it sounded good. Michael, I’m proud of you.”
     “Thanks, but you’re the writer, not me. It’s almost time to go so why don’t we park and say goodbye?”
     “It sure is good riding around with you again. I’ve missed you since you died. Do you wish you could come back permanently?”
     “No, I wasn’t happy here. Everything was just so hard for me.  The only thing I regret is that I had to die sitting in a recliner with my mom on the couch watching me. She knew I was stoned and it broke her heart. I just wanted to stop feeling so bad. I had nine different drugs in my system when I got autopsied and that nearly killed her. She blames herself, you know. That’s the only bad part, otherwise I like where I am now.”
     “Where are you, brother? Are you in heaven or hell?”
     “I don’t know. We don’t talk about it. We just are. I don’t hurt; I’m not sad; I’m never hungry; and I don’t need to sleep. I came to see you because I worry about you, but I see you’re doing okay.  I’m glad you’re off the drugs and that you don’t drink any more. Kicking the nicotine was a really good thing. The folks I meet who died of lung cancer are really pissed at themselves. You know, it being preventable and all.”
     “You better watch out, my friend; that was almost a narration. I might have created a monster here. Seriously, though, I miss you terribly. You were my best friend, and you still are. I’d go see your folks, but they think I got you started on drugs. I don’t argue with them, but you can straighten them out when they get there, or not. Whatever; it doesn’t matter.”
     “Okay, Greg. I know you don’t want to hear this, but I’ll see you soon. You’re what now, sixty-six? Your will’s made out and you’ve lost your fear of death, so it should be a smooth transition. There really is no down side, so from here on it’s all good.  Check this out—‘and now the young man, Greg, became the old man, Greg. He had transcended his selfishness and could be happy for other people’s victories. His last day was not on any calendar, and his departure from this life was not pre-determined. He would continue to narrate, but was now able to listen to those struggling to teach him the value of dialogue. He was growing and making good use of his final stretch. For it was his final stretch, and…’”
     “Whoa! Michael, that’s enough. Now I have to tell you to stop narrating. Please don’t get anyone else started when you get home. You’re fading, so I guess this is it. I hope you’ll come back again, but if not I’ll see you on the flip side. Oh! Say hi to my mom if you see her. Adios, brother.”
     “Oh, that’s right; your mom’s a trip. She runs everywhere and can’t stop laughing. She’s having a ball. But you’re right; I am fading. Thanks for being home, and I’ll see you when I see you.”

We Belong Together - Honorable Mention

by Emily Becker


We belong together
like treats and tricks

a bag of candy
a razor-filled apple

a kiss on the neck
your teeth in my skin

Saturday, October 24, 2009

NYC Insomnia

by Lorene Farnsworth


Wired in a city lit up like a prison yard—

With a night so bright that morning is a release.

Wrong number Australia calls to say good day and asks if people really live in NYC.

Well, I don’t know—maybe they don’t, I haven’t met a neighbor in five years.

Were you to leave a message, they’ll be here in the morning—

Maybe they could call you back on their lunch break.

Guidelines for Submission

Rules for Contest Submissions:
1) Submit all works to cognito@sou.edu (attachments, please).
2) All stories in either Real Text Format or Microsoft Word.
3) Type the name of the contest you're entering in the email's subject line.
4) All e-mails must include a brief paragraph with your name, e-mail address, and best way to contact you.

Rules For Open (Non-Contest) Submissions:
1) Submit all works to cognito@sou.edu (attachments, please).
2) All stories in either Real Text Format or Microsoft Word.
3) All e-mails must be titled Open Submission.
4) All e-mails must include a brief paragraph with your name, e-mail address, and best way to contact you.

For Fiction and Non-fiction:
1) No word count limit (1-5,000 words are ideal, though).
2) Double-spaced with a 12-point font. Nothing fancy.
3) Please send us stories that are well-written and have captivating, original characters and plots. You must send in your own original work.

For Poetry:
1) Submit up to three poems at a time.

Rules For Literary Columns and Book Reviews:
1) Submit all works to cognito@sou.edu (attachments, please).
2) All stories in either Real Text Format or Microsoft Word.
3) All e-mails must be titled Literary Column.
4) Students must include a topic sentence or paragraph that describes the idea and the points the article will make; this is for the editors' benefit and wont be included in the post. The article must be related to fiction or poetry in some way, and the club members will approve the topic and request the article.
5) The article must be between 500- 1000 words unless special permission is asked.
6) All submissions will be published in a discussion thread where other students may respond to the article.

Book reviews follow the same criteria as literary columns. Each book review should be between 300 and 1000 words. The writer must include information about the book (author, publishing date, etc.). The review should consist of a short plot synopsis, and the rest of the content should consist of the value of the book and reasons for reading or not reading the book.

For accommodations due to a disability call 552-6222

Thursday, October 15, 2009

The New Cognito

Here we are: it's the start of a new school year, and it's also the start of a whole new Cognito. This blog is our new website; with it, we have greater control over the way submissions and contest winners are published. Also, this is more fun.

Remember, we are always accepting fiction, poetry, and nonfiction submissions on any topic from student writers. Every submission will be put under consideration to be published right here for all to read, admire, and discuss (intelligently, of course). If your submission makes it through a panel of three or four judges (who will not know the author's name), it will then be brought before the rest of the group for consideration. Cognito is a great way for students to get published and to receive feedback from fellow students and anyone else who happens to stumble upon the site, so please take advantage of the opportunity! Send submissions to cognito@sou.edu.

We will also run a number of contests throughout the school year. Details for each contest can be found on the right side of the page under "What's Going On?" For some, eligible (SOU students only) winners will win cash prizes; for others, they will receive the title of Champion and the thrill of victory. Every contest submission will be brought before all of Cognito's staff to be judged. We will persistently endeavor to keep judging fair and unbiased. Authors' names are not revealed to the staff until the final results have been decided.

In the spirit of attempting to create opportunities for student writing, we may also hold writing events (either on the site or on-campus) during the year. Keep your eyes open!

Welcome to Cognito. We're glad you're here.